The M.A.D.Gallery is delighted to host seven elegant kinetic sculptures by American artist Bob Potts.
In his one-man workshop housed in an 1850s barn, Potts creates ethereal kinetic sculptures capturing the very essence of natural rhythmical movements like the flight of birds or the oars of boats in his inimitable style. The 72-year-old is a connoisseur of form, movement, and visual grace.
“My work is the manifestation of ideas that come to me from the natural world. The grace and form of all living things, and the way they interact, leaves me in awe.”
The New York state-based artist manages to capture this reverence for nature by using a pallet of gears, cranks, sliders, levers and chain links to create kinetic sculptures. Potts invests substantial amounts of creativity and energy into his pieces. His sculptures can take up to a year to complete and each work of art is a unique piece.
Despite their apparent intricacy, the pieces are surprisingly minimalist. Potts uses the bare minimum to replicate each motion, without unnecessary ornamentation or flourish.
“In the movements of each piece, every part is necessary. In that respect, the form follows the function.”
The San Francisco native is always searching for the gracefulness that surrounds us and his sculptures are vehicles for bringing that elegance to life.
Method and process
While his sculptures might look delicate, Potts creates beautiful pieces that will last to be a life-long joy by using a variety of metals like stainless steel, aluminium, brass, bronze and copper. As a trained carpenter, he also works with wood and often uses what other people throw away.
“I am inspired by found objects and have done a lot of dumpster diving.”
One of the most remarkable aspects of Potts’s work is his process. It is something that makes his sculptures feel “alive”. He has developed an intuitive way of working that is not constrained by pre-conceived ideas.
“I am often challenged to use a specific mechanism and see where it goes. Sometimes I have an end in mind and look for the mechanism that will deliver what I desire.”
Despite the mechanical complexity of his work, the artist does not use computer-aided design software. Instead, Potts puts his carpentry skills to good use by making stick prototypes to help calculate all of the distances and dimensions, working out the geometry of the artwork he plans on creating.
The design slowly reveals itself during this process and continually evolves. Most of the time, the final result is very different from what he envisioned in the beginning. To Potts, this is a good thing and gives him great satisfaction.
“It is very rewarding to see a piece grow and evolve. Is art not the reflection of the evolution of the artist ?”